There is no political solution
To our troubled evolution
Have no faith in constitution
There is no bloody revolution
We are spirits in the material world
Our so called leaders speak
With words they try to jail you
They subjugate the meek
But it's the rhetoric of failure
We are spirits in the material world
Where does the answer lie?
Living from day to day
If it's something we can't buy
There must be another way
We are spirits in the material world
Are spirits in the material world
You say the hill's too steep to climb
You pick the place and I'll choose the time
And I'll climb the hill in my own way
Fearlessly the idiot faced the crowd
Smiling
Merciless the magistrate turns 'round
Frowning
And who's the fool who wears the crown
Go down in your own way
Well, I'm going down to Florida
And get some sand in my shoes
Or maybe Californy
And get some sand in my shoes
I'll ride that Orange Blossom Special
And lose these New York blues
A memory hole is any mechanism for the deliberate alteration or disappearance of inconvenient or embarrassing documents, photographs, transcripts or other records, such as from a website or other archive, particularly as part of an attempt to give the impression that something never happened. The concept was first popularized by George Orwell's 1949 dystopian novel Nineteen Eighty-Four, where the Party's Ministry of Truth systematically re-created all potentially embarrassing historical documents, in effect, re-writing all of history to match the often-changing state propaganda. These changes were complete and undetectable.
In the walls of the cubicle there were three orifices. To the right of the speakwrite, a small pneumatic tube for written messages, to the left, a larger one for newspapers; and in the side wall, within easy reach of Winston's arm, a large oblong slit protected by a wire grating. This last was for the disposal of waste paper. Similar slits existed in thousands or tens of thousands throughout the building, not only in every room but at short intervals in every corridor. For some reason they were nicknamed memory holes. When one knew that any document was due for destruction, or even when one saw a scrap of waste paper lying about, it was an automatic action to lift the flap of the nearest memory hole and drop it in, whereupon it would be whirled away on a current of warm air to the enormous furnaces which were hidden somewhere in the recesses of the building.
The memory hole is referenced while O'Brien tortures Smith; O'Brien produces evidence of a coverup by the Party, exciting Smith that such documentation exists. However, O'Brien then destroys the evidence in the memory hole and denies not only the existence of the evidence but also any memory of his actions. Smith realizes that this is doublethink in action, as O'Brien has actively suppressed his memory of both a politically inconvenient fact and his action taken to destroy the evidence of it.
Turn me to stone
Do anything you want with me
Cover my eyes
There's nothing more they need to see
Turn me to stone
Before there's nothing left of me
Make me a rock
And not what I appear to be
Turn me to stone
Turn me to stone
The song consists of three types of interspersed dialogue: a simulated CB conversation with CB slang, the narration of the story, and the chorus. It is about a fictional trucker rebellion that drives from the West Coast to the East Coast of the United States without stopping. What they are protesting (other than the 55 mph speed limit, then recently introduced in response to the 1973 oil crisis) is shown by lines such as "we tore up all of our swindle sheets" (CB slang for log sheets used to record driving hours; the term referred to the practice of falsifying entries to show that drivers were getting proper sleep when, in reality, the drivers were driving more than the prescribed number of hours before mandatory rest) and "left 'em sittin' on the scales" (CB slang for US Department of Transportation weigh stations on Interstates and highways to verify the weight of the truck and the drivers' hours of working through log books). The song also refers to toll roads: "We just ain't a-gonna pay no toll." Also putting the "hammer" or accelerator pedal down means speeding up and breaking the speed limit.
